In ‘Tracing Stillness’, Georgie Kite presents a contemplative body of work that explores the landscape not as a static subject but as something experienced through quiet, sustained attention. Since relocating to Yuin Country in 2016, Kite has immersed herself in the rhythms of the coastal environment. This lived engagement informs her distinctive visual language, shaped not by dramatic vistas but by the slow unfolding of detail. In this context, “stillness” becomes a mode of heightened awareness